Chaos: things don't always go as planned

Sometimes things just don't go as planned. I'm actually not surprised that my latest project didn't work out as intended. This is the busiest month of the year for me, as I'm knee-deep in lots of house-hold seasonal events: preparing and planting the garden (we have 2 large vegetable gardens); protecting, picking, cleaning, preparing and enjoying my strawberry harvest bounty; protecting the various fruit trees that are pinking or in immature fruit stage; and spring cleaning my house... all this piled on top of other "normal" life activities, obligations and chores. So my life is always a bit chaotic in the month of May, and this polymer project, though not intended to be, is a great reflection of that chaos.

Problem is, I had too many ideas for this project, and I tried to incorporate too many of them into this one piece. **sigh** I had feared that trying to cram too many ideas into one piece might indeed become disastrous, but I just had to try, didn't I? Why? Well, because I was dying to get all the ideas out there and just didn't want to wait. Lessons learned, often the hard way.

So my first idea was to create a portion of a sun image, with lots of flowing lines, but not the entire sun... here's a rough sketch of my first idea (the one I should have probably stuck with):

The PCAGOE theme for this month is "quilled" polymer, and this image would have worked well. Since I've done a couple other quilled pieces in the past, and wrote the tutorial article for The Polymer Arts magazine, I really wanted this to be something special. So I keep thinking about it and over thinking it. And then, I got the idea to upcycle some cds and to incorporate layers of quilling. Here's where I went terribly wrong. You see, this secondary idea did not follow the sketched image at all, it was something entirely different, and probably would have worked well had I stuck to that idea and the image I saw with it. But I didn't want to abandon that flowing sun image (chalk that up to having tons of rain in the past couple weeks), so I made the decision to combine the two (well, basically three) ideas into creating a layered and now full sun image (in order to incorporate the upcycled cd idea).  Oh, and then I had a fourth idea of using curled strips, as I've seen these used in quilled paper art lately.  (imagine a rolled eye animated emoticon here)

So, beyond being a bear to create this piece, with all the layers and trying to keep everything in place when cured (thanks to heat + gravity concerns that polymer artists know so well), the design just doesn't really work for me in the finished format. Well, I'm not sure it's finished either, I just basically ran out of time since I needed to photograph this with whatever remaining daylight I had at 8PM...  I may keep adding to it and trying to salvage something that I like from it.

Or, I might just cut it in half. When I cut the photos in half, I kind of like what happens... 

And... when I photoshop those halves into how I would hang them on the wall, I'm liking this effect even more.

...or...

So, I might be able to redeem the chaos after all... If I do, I'll be sure to post an update about it here on the blog.  What about you? Have you had life's chaos, calm or emotions subconsciously effect a project? What do you think of my chaotic work of art? What changes, do you think, would make this piece work better? I'd love to hear your thoughts, so leave me a comment below!

I'll post a reminder here on the blog for the challenge vote... as always, voting will open on the first of the month, and will be open from June 1st through June 7th. 

Spring has sprung

For a long time, I have been wanting to do an art vessel focused on negative space as the major design element. The theme for the May PCAGOE challenge is "negative space".  So, the PCAGOE challenge was the impetus that I needed to bring one of those ideas to life.

I had the idea to make a continuous spiral as the body of the vessel, combined with some side supports to buttress the spiral shape. I decided to try this with a method that Donna Greenberg generously shared on facebook. Donna used an epoxy clay as the under support for one of her wonderful openwork sculptures. If you're not familiar with Donna's work, you should definitely check her out. She is, without a doubt, one of my polymer heroes. You can find her facebook page here: https://www.facebook.com/Donna-Greenberg-Arts-151594531536806/?fref=ts

 I had some epoxy clay on hand so I decided to give Donna's method a try. Unfortunately, I initially only made the spiral, my thought was that I'd cover it with polymer before adding the side supports. Well... I wish I had realized that once separated from the form I was using to mold the spiral, it could potentially just become a great big epoxy clay slinky... needless to say, I didn't think of that. I guess I  assumed that the epoxy clay would be sturdy enough to hold it's own, but it wasn't, big epoxy slinky is indeed what I got.

I then had to put the slinky, I mean sculpted spiral, back on the mold form and try to add the side supports. When I finally was able to cover the epoxy clay with polymer it was a tricky undertaking. Difficult first, because the lower spindles of the spiral did not have a lot of space for my fingers to get in and smooth out the clay; and second, because the epoxy clay form (because I removed it from the base too soon) was a little wonky. Yes, that's a technical term. ;)

I decided to wrap strips of black polymer around the epoxy clay spiral shape of the base form. But because smoothing out the polymer was not going to happen easily with the limited space between the lower spiral spindles, I decided to use a technique that I used last year to make a necklace for myself... I took thin crochet thread and wrapped it around the raw polymer, then cured it and removed the thread, then backfilled the spaces that were created by the thread with some acrylic paint. Here's a photo of that necklace (and the sweater I wanted to match it to) that gave me the idea for how to treat the coil of the vessel:

This was a good idea, only thing was that with the necklace I was able to smooth out the clay, but with the vessel and the tight spaces, this wasn't feasible, so the vessel's finish is rougher than I would really prefer. Instead of acrylic paint I decided to use some peacock pearl colored Premo mixed with some LPC and thinner to make a paste that would be thin enough to fill the thread voids. I like the fact that this mixture clung to the cured polymer a bit more than the acrylic paint did, which I think gave it a little bit of a mokume gane feel.  Here's a shot of me holding it, so you can see the scale of the piece:

So, while I'm happy to see the idea come to life, I'm not really happy with this piece. I have another idea for how I might construct this next time, and I am considering doing a second iteration very soon. The thing I'm most unhappy about is how wonky the spiral got because of taking it off the form before adding epoxy supports on the side. I also don't like the fact that I had to texture everything because of how it was formed. My new idea for designing this will allow me to finish it smoothly. So, while I'm not completely happy, I am grateful for the lessons I learned and the inspiration I received while making this piece. What about you? Has there ever been a piece that you made which turned out less than you had hoped, but you were still grateful for the lessons learned? Did you do another iteration of that piece and better it with those gained insights? Tell me about it in the comments... and let me know what you think of my Spring Sprung vessel too!

April Flowers Vote

It's time to vote! We had a great turn-out from our guild members, so many beautiful creations for the Flowers theme... it's tough to choose just 3 pieces, I wish I could vote for all of these lovely polymer clay creations! Check them out for yourself:

Head over to the PCAGOE site and vote for your top 3 favorite pieces! Remember, one lucky voter is chosen every month, to win a prize... it could be you! Voting is open from now until April 7th at midnight EST, so go there now and cast your votes!

Poppy Love

Turning to spring-like thoughts, the PCAGOE challenge theme for April 2016 is "flowers". To be sure, there are so many flowers that I love, hydrangeas, dogwood blooms, tulips, dahlias... the list could go on, seemingly ad infinitum. There is one frilly face that I especially look forward to seeing in the late spring/early summer days, that of the poppy. I don't have any of these lovelies in my own garden, but a neighbor's house across the street has them, and I am a yearly admirer. I also love the symbolism of using poppies to remember the deceased. It was this time last year when my neighbor with the poppies in her garden passed away. She was a friendly soul, who enjoyed sitting on her porch in the morning. We'd often had a chat standing in that garden of hers as she caught me enroute to or from my morning walk. So, with these things in mind, I decided upon the subject of poppies for my challenge project.

This is not my original photo, it was taken from the web. Image © Copyright Lynne Kirton  View image at: http://www.geograph.org.uk/photo/847625

One of the things that draws me to these flowers, and which I had hoped to translate in my piece, is the translucency of the petals.

When the subject was settled, I decided that I wanted to make this into a neck piece. The style of this piece was to be influenced by the work of a favorite ceramic artist, Carol Long Pottery. These two following pieces of Carol Long greatly influenced my neck piece, and they are some of my most favorite works by her:

I love the flowing lines, curvy shapes, the Art Nouveau feel, the pearly dots, Carol's work strikes a chord with my personal aesthetic. If you haven't heard of her before, please do check out her many other pieces at her website or on her facebook page.

So, with all these things in mind, I set to work sketching out a plan. I came up with a necklace design that I thought would fit my vision.

I decided that I wanted an asymmetrical design, that would not incorporate a clasp, i.e. it would wrap around the neck. For this, I decided that it would be built upon wire. My first step was to cut a piece of wire for the base and curve it into the basic shape which I envisioned for the neck piece (above).
Next up came extruding a hollow core tube of polymer, which would cover the wire.

Here you can see the extruded hollow tube. Brief plug for Lucy Clay tools: I love my Lucy Clay Czextruder, extruding is a breeze with this tool!
For the clay, I decided to use a blend of (mostly) Sculpey Souffle in the pistachio green color, with a bit of Premo light green pearl and some Premo translucent added to the mix. I've read that Souffle is strong but more flexible. Because the neck piece is designed to bend and wrap around the neck, the most strong yet flexible clay was desirable. It was not super easy to get the tubing to slide over the entire length of the wire, so I gave a coating of cornstarch to the wire and then it slid on easier. Because of the length, I had to approach the wire from both ends with the tubing and then join the two sides in the center. While this piece cured, I set to work on creating the poppies. I made 3 opened flowers, one upturned (side view) flower and two buds opening. For the petals, I chose to use Pardo translucent (because it is known to be the most translucent of all the brands) mixed with some mountain rose and watermelon colored Adirondak alcohol inks.

I cut the sheeted polymer with a round cutter and then I placed it between crepe paper (to mimic the veining of flower petals) and rolled it through the pasta machine. Above you can see the before disc laying on the red crepe paper, and the after flower petals laying to the left side of the crepe paper. Though these were quite thin, I still wanted the edges tapered as finely as possible, so I used my fingers to thin out the edges. For the bases of the flowers, I used a piece of wire which I had curled a loop onto the end (the loop ensures that the wire doesn't just slip out of the clay). I built up the center using the same green mix from the stem necklace base, then a disc of black, which I embossed with a starburst pattern. This starburst was then brushed with green/gold mica powder. A larger disc of black was placed on the wire to cup the center. This black disc was cut with a scissors to create the stamens of the poppy. Then, finally the petals were attached. After they were cured, I added a touch more of the watermelon red Adirondak ink, to the petals, to bring out the veining that the crepe paper imprinted onto the clay.

I wrapped the wire ends of the flowers around the previously cured necklace base. After this point, I was so enraptured with creating that I failed to take any further "in process" shots. After all of the flowers were mounted on the green base, it was time to make the intertwining vine. I wanted to mimic Carol Long's black flowing lines. So I took another piece of wire and extruded a hollow tube of Souffle black. This polymer tube, however, was a bit off center. So, I decided to give a twist to the polymer after it was on the wire, this would give strength to the thin areas. I think it was meant to be this way, because I like the fact that it looks more like a twig with this twist in the clay. After curing, I molded the black vine around the green base and the mounted flowers. At this point, I discovered that the flowers were too heavy for the necklace to keep it's desired shape around the neck. So I decided to reinforce the entire piece with a heavier gauge copper wire, and the back of the necklace was fully covered in black Souffle. The final design elements (also echoing Carol Long's style) were added by shaping some pearly dots and placing them sporadically around the perimeter of the piece. These were made with a Premo blend and a dusting of micro pearl mica. After the final cure, I was delighted with the design. Though not strictly adherent to my sketch, it's fairly close to my original vision.

 

I was especially pleased with the translucency of the flower petals, here's a detail shot of one of the poppy flowers:

A pleasant surprise was finding that I could twist the ends upon themselves for an alternative way to wear the neck piece, as seen below:

I also recently found out (after I had planned out the entire piece), in Christian symbolism, the poppy is seen as a metaphor - the red petals of the poppy symbolize the blood of a sacrificed Christ in the theme of resurrection and immortality. How perfect for a piece that is due to be unveiled to the world on Good Friday, and Easter weekend!

So, what's your opinion of my poppy neck piece? Do you have a favorite flower, or many favorite flowers? Does symbolism play a part in your choice of a favorite bloom? I'd love to hear your thoughts, so please consider leaving me a comment! ...and to those who celebrate this holiday, a Blessed Easter to you!

Unexpected Gifts

I don't consider myself to have more luck than the next person, but I sometimes stumble upon  fortuitous occasions, for which I am always thankful. So today's post is about giving thanks for, and acknowledgment to those generous souls who offered up these recent gifts.

First of all, I must acknowledge the wonderful gifts I received in December from my PCAGOE guild mates, for our holiday swap. (yes, I'm very behind in the thanks for these lovelies, the holidays and start of the new year really ran away from me this year).  These beauties were the work of Jackie Sieben of The Pleasant Pheasant and JAE Jewelry (Gorgeous pens and seam ripper, left), Susan O'Neill of 11BOLDstreet (Funky trinket box and fabulous pendant, center) and Linda Riopel of NKDesigns (beautiful caned pendant necklace, right) Check out their work, by clicking their names to view their respective etsy shops.

(I wanted these images to appear together, so please click on the image to see them up close). Thank you again, Jackie, Susan and Linda!! I absolutely love my swap gifts!

The first of 2 surprise gifts happened last month, when I was notified that I had won a giveaway from the website, BeadingGem Journal by Pearl Blay.  Pearl partnered with one of my favorite polymer artists, Helen Breil, to give away a bunch of Helen's silkscreen designs. I was one of the lucky winners, and I had my pick of Helen's silkscreen designs! I chose the design "Cabaret". It arrived in the mail about a month ago, and I still haven't had the time to play with it, but here's a photo of the silkscreen package that I received:

I have yet to try the silkscreen technique... so I am really looking forward to a day when I can play around with this fantastic design! Helen has many other designs in both silkscreens and textures, if you're not familiar with her work, please do check out her website (which includes links to where you can purchase her designs for your own use!) And don't forget to check out Pearl's site for tons of inspiration, tips and giveaway opportunities!

The second windfall that came my way happened on Valentine's day. I entered Deb Hart's (of Renaissance Gal of San Antonio) Facebook event, where she generously gave away 3 of her polymer pieces. Deb is known for her fabulous millefiori cane work. The other 2 prizes were a bunch of her original canes and one of her caned owl pendants. The prize I was so very lucky to win was one of her sea turtle trinket boxes!! If you know me, or follow this blog, you probably know I have a little adoration for sea turtles and Native American inspired art... so, to say I was thrilled about winning this treasure was an understatement!  Well, my beautiful sea turtle arrived last week. I've taken a couple shots of her to show you how fabulous she is, and for the first time ever, I shot a video to post here on the blog. The idea for the video came about because one of my most favorite features about this treasure is not easily displayed in a still photo, check it out for yourself: (crossing fingers that the video actually works)

And since the video doesn't do justice to viewing all the wonderful details, here are the still shots...

Can you tell I'm absolutely in love with this turtle? ;)  She has found a permanent and prized spot on my nightstand, where I can admire her every day. If you love this as much as I do, and you don't know about Deb Hart's work, you should definitely check her out! You can find Deb here on her blog, etsy (where you can purchase a turtle similar to this one!), and Facebook. And if you want to learn how to make some of Deb's creations, she offers a great variety of classes at CraftArtEdu.

So, again, a big Thank you to (my guild mates) Jackie Sieben, Susan O'Neill and Linda Riopel for my holiday swap items, and huge Thanks to Helen Breil, Pearl Blay and Deb Hart, for their generous hearts and the wonderful prizes that I received! Aren't they all wonderful? Have you had luck in winning online contests or participating in swaps? Leave me a comment below, and tell me your thoughts!

And as an aside; if the video worked in this post, I hope to do some tutorial videos to post on the blog in the future....  and, if you like the Thank you image (first image of this post), you can find that as a printable digital postcard file in my graphics shop YourDigitalWorld.

Time to vote for March Challenge

Yes, it's time to vote again! The March PCAGOE "Rings" themed challenge opened for voting yesterday... it will run through to March 7th at midnight EST. Look at all the lovely entries our members created this month:

I don't know about you, but it was tough for me to pick just 3 favorites! Head over to the PCAGOE blog to cast your vote... remember a lucky voter will be randomly chosen to win a prize, and that could be YOU! Go here to vote now! Thank you!!

Ring Bling

I had so much fun with this month's theme for the PCAGOE challenge! The theme is Rings. For me, these were like eating a bag of chips... you can't stop at one! As a matter of fact I made 10 of them, but only 5 are ready for prime-time.

I first made one out of a solid piece of cured polymer, with inclusions, that I had cut into slices and slabs. I took one of the slabs and drilled a hole in it. Because of the inclusions that I had used in the polymer, it needed much reinforcement, and that is one of the ones on which I'm still working... 

But, I decided to use one of the slices from that piece of cured polymer for one of my rings. There are iridescent inclusions in this polymer, and the way it was mixed left some funky holes and swirls in the natural form. I made a ring shank out of a blend of translucent & 14k gold Premo in a triune type shape (which is actually quite comfortable to wear), and attached the inclusion slice to the shank with bonding agent. Unfortunately, because it was a rainy day here and my sunlight was limited, the photos are not the best. But if you click on the individual photo, you'll see a larger size of the image, where you can view the wonderful swirls and holes that happened with this inclusion technique. My gears are spinning with the cool result of this inclusion technique. Here's the result:

When I knew that the first idea (of the cured slab ring) was going to take more time and patience, I decided that I wanted to make some gems out of polymer, which I would "set" in a polymer ring setting. I then got the idea to use wire to secure the gem. The first iteration of this was this faux opal bead (made with Premo's opal clay) that I set in a polymer ring setting (again on a triune shaped shank) and secured with wire which makes a decorative pattern:

The second iteration skipped the polymer gem and used a faceted acrylic button, again nesting on a polymer setting and secured and bedecked with wire in the shape of a star that runs across the "gem".  The wire got a bit messy on this, I need to figure out a way to make the wire less wonky, perhaps this will entail using a thicker gauge wire... This one is on a super comfy hexagon shaped ring shank, which I embedded with a strand of the wire:

The third iteration of this idea saw me hand cutting/sanding a faceted a polymer gem, which was then set in between a simple textured band of polymer using wire that also adds a decorative element. I think this may be my favorite of this grouping of rings:

The final ring came together quite quickly, as I had a one-off button that I had made in a lovely shade of robin's egg blue. I embedded some wire in the hexagonal ring shank and had the two ends coming out at the point to secure the button. I twisted the wire down next to the button and added a decorative focal to cover it up. I also antiqued the nooks and crannies with some gold acrylic paint and some burnt sienna in the center. I love this one just for it's colors and design simplicity:

I'm thinking that the last 2 will become part of my collection... I like the others a lot, but they're a little chunky for my personal style. What do you think of my funky rings? Leave me a comment and tell me which one(s) is your favorite! I'd love to hear your thoughts!

I plan to head back to the studio soon to finish up those other 5 rings that are still waiting to be finished. These are so addictive, I will likely do a whole lot more! I have another blog post coming soon too, on some fabulous items that I was lucky enough to win this past month... Look for that post after the voting reminder post for this month's challenge. Voting for this challenge opens on March 1st and will run through to March 7th at midnight EST. As usual, I'll post a reminder here when voting is open!